"Now it's Dark" - Return to Blue Velvet
Written & Directed by: David Lynch
Starring: Kyle MacLachlan, Isabella Rossellini, Dennis Hopper & Laura Dern
Original Release Date: September 19, 1986
Original Release Date: September 19, 1986
"Why is there so much trouble in this world?
Often revered as one of David Lynch's best films, Blue Velvet sheds a light on the underbelly of evil taking place in an otherwise charming small American town called Lumberton. When a naive young man named Jeffrey Beaumont discovers a severed ear it leads him to a sinister killer whose sole purpose appears to be wreaking havoc and violence on all that encounter him. The killer's atrocious behavior is fueled by bizarre drugs and sexual obsession. Set to a haunting, almost Hitchcockian, musical score by Angelo Badalamenti and loaded with emotionally powerful and surreal scenes, Blue Velvet calls into question the darkest elements of the human condition.
Blue Velvet
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The next day Jeffrey decides to pick Sandy up from high school, impressing all her friends. He takes her to Arlene's Diner where he tells Sandy he wants to sneak into Dorothy's apartment to observe and learn more about her. Sandy thinks it's a scary idea, but Jeffrey runs down his plan for them to get into Dorothy's place. He plans to pose as an exterminator and wants Sandy to pose as a Jehovah's witness who will knock on the door causing a distraction that will allow him to unlock a window. Jeffrey hopes to use that window to enter Dorothy's place later that night.
He convinces Sandy to try his plan out so they head over to Dorothy's apartment building. Jeffrey puts on a uniform and makes his way up to Dorothy's unit. She allows him inside under the guise of him spraying for pests in her kitchen. While there Jeffrey manages to swipe a spare key when a man wearing a yellow suit knocks on the door thus distracting Dorothy. After Jeffrey meets back up with Sandy who tells him the man in the yellow suit knocked on Dorothy's door before she could do her part in their scam. Jeffrey shows her Dorothy's key and tells Sandy he's going to sneak back into Dorothy's place later that night. Sandy agrees to cancel a date she has so she can help him.
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He watches as Dorothy undresses and then receives a disturbing phone call from someone named Frank. After she takes a blue velvet robe from the closet where Jeffrey is hiding, but somehow doesn't see him. However she does hear him make a noise so Dorothy grabs a knife from the kitchen and pulls the closet door open. When she sees Jeffrey, Dorothy insists that Jeffrey get undressed so she can see him as he saw her. She insists that he look away from her and not touch her or she'll kill him. Dorothy makes Jeffrey get on the couch naked and she begins to kiss him. Then someone knocks on the door.
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Once he's gone, Jeffrey tries to comfort Dorothy. She asks him to hold her, because she's scared. Then she asks him to feel her breast and hit her. Jeffrey is uncomfortable and decides to leave, but not before he looks at a hidden picture of Dorothy's husband and child from under the couch. When he goes home he has a disturbing dream about his experience. Later that night he meets up with Sandy again and tells her, "it's a strange world." Then he goes on to tell Sandy that he believes Dorothy's husband and son have been kidnapped by Frank. He believes Frank cut her husband's ear off as a warning to Dorothy to comply with him. Jeffrey gets upset and spouts, "why is there so much trouble in this world?"
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The next day he picks Sandy up from school again and her boyfriend Mike sees her get into his car. They head back to Arlene's Diner where he tells Sandy about staking out Frank's place while taking pictures and observing the actions of his associates. Jeffrey notes there was a murder in the distance that he believes Frank is involved with. Sandy asks why he's doing this. Jeffrey answers that he's seeing something that is hidden and feels like he's in the middle of a mystery. Then he kisses her.
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Frank insists that Jeffrey come for a ride with him and orders Dorothy to get her robe. Then everyone squeezes into Frank's car for a nerve wracking drive. Frank takes Dorothy and Jeffrey to an apartment, where Frank insists the only beer worth drinking is Pabst Blue Ribbon. Inside the apartment, there is an eclectic group of people. The leader, Ben, is called "so fucking suave" by Frank. They toast, "here's to fuck!" Frank and Ben then each punch Jeffrey. Ben takes Frank aside and they talk about the murder Jeffrey saw earlier. Frank also allows, "tits" aka Dorothy to see her kid in the back bedroom.
The next morning Jeffrey wakes up beaten and abandoned in a lumber yard. He goes home and flashes to his encounter with Dorothy when he hit her. Jeffrey cries at the memory. Then he calls Sandy and she advises him to tell her father everything. After Jeffrey tells his aunt Barbara (Francis Bay) and his mother not to worry about him. Jeffrey then heads down to the police station and sees the yellow suited man again. Jeffrey realizes his name is Detective Gordon and he works with Frank. Later Jeffrey heads to Sandy's house and speaks with her father. Jeffrey shows him the pictures he took of Frank and his men. Her father seems upset when he sees Detective Gordon in the photos, but doesn't say anything. All he's worried about is that Sandy isn't involved.
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Later Jeffrey calls Sandy from the hospital. They say they love each other again and Jeffrey asks Sandy to have her father meet him at Dorothy's apartment. Then he heads to Dorothy's place where he finds Detective Gordon shot, but somehow still standing up, and Dorothy's husband dead with a piece of the blue velvet robe in his mouth. Jeffrey decides to leave the scene as he found it. Then we get a montage of the police taking down Frank's men in a shoot out nearby.
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The End
There is something unique about this film that makes it impossible to forget the images within it. I think there is a point to consider that Blue Velvet's Lumberton has a symmetry to the mysterious town of Twin Peaks. There are many theories out there about David Lynch's work all taking place in the same universe. I think there is likely some truth to that. Even if that theory is never literally verified, in my opinion, most artists' work is a reflection of something within themselves or something they were influenced by.
Often I think artists are revisiting the same influences over and over in their work, just with different variations. The need to create something is driven by what is interesting to that creator so of course there is a pattern to all of Lynch's work. David Lynch seems to favor themes that explore disillusionment, sexual jealousy and abuse, especially packaged in a dream or idealistic place that is harboring mysteries and secrets. Within all the films he has written and directed this seems especially so.
I often giggle at this scene in the film, but in its simplicity, it's a very apt question. The world is scary. Chaos is all around us. Deep inside I believe we're all scared in some way. We have no control. Sometimes we get hurt badly and other times we hurt others badly. The cycle goes round and round. In this moment, Jeffrey's deviant curiosity has been harshly sobered and he's frightened by it. I think Kyle played the character of Jeffrey Beaumont with a lot of innocence and heart. There are shades of a young Agent Cooper in this character that I just love.
Dennis Hopper as the crazed Frank Booth is just plain intense. Like a lot of Lynchian bad guys, Frank was equally terrifying as he was amusing. His awful treatment of Dorothy, manic inhaling of drugs and wild eyed stares were hard to watch yet he also possessed a highly entertaining and impossible to look away from element. In addition, his character offered some of the film's most memorable dialogue.
Ben singing Roy Orbison's 'In Dreams' in the above scene is definitely one of Blue Velvet's most surreal and fun moments. It is both weird and cool. It also offers a stylized pleasurable distraction to the horror that will follow it. Plus I love Dean Stockwell. Quantum Leap was one of my favorite shows growing up.
When Jeffrey wakes up in his backyard to see a Robin sitting in a tree above him, I like the ironic sense that everything will be okay. It might be a little corny, but after all the darkness in Blue Velvet I think a happy ending fits well. Blue Velvet isn't my favorite Lynch film, but I still think it's a great movie. It definitely gives you a lot to think about and each time I watch it, I appreciate it more and more.
Enjoy Siskel & Ebert's review of --> Blue Velvet
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