Recap of Episode 14
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Somebody help me! |
Season 2 Episode 14
Written by: Mark Frost
Directed by: David Lynch
Original Air Date: November 10th, 1990
"J'ai une âme solitaire"
"He lives in a large house made of wood..."
At the Sheriff's station, Hawk, Gordon, Dale, Andy and Sheriff Truman stand with one armed Mike as he recounts his poem about where Bob lives in a spooky voice. They all listen, but then quickly resume enjoying donuts and coffee when he commences. After Sheriff Truman asks if Hawk has a warrant for Harold Smith's place yet and Dale mentions that pages from a diary were found at the train car. Gordon jumps in and loudly explains about the diary pages. Dale also remembers what Donna Hayward said about Harold having Laura's secret diary. Then Gordon says his goodbyes, shakes everyone's hand and heads back to headquarters.
Later at The Great Northern hotel, one armed Mike wearily reviews potential candidates in the lobby to see if one of them is Bob. He continually says no to everyone put in front of him and seems to get more agitated with every new person he has to say no to. Dale and Harry stand by as Andy presents people to Mike one by one, including Tojamara and a random group of sailors bouncing balls. Meanwhile we see that Ben is storming through the hallway smoking a cigar and charging in Mike's direction. As he approaches the scene in the lobby, Mike collapses just as Ben enters the room and demands to know what's going on.
Hawk knocks on Harold Smith's door and then enters when he doesn't get a response. The place is in shambles. Hawk takes a look around and then sees Harold's legs as he hangs from a noose in his green house. After Harry, Dale and a bunch of other officer's arrive to investigate and they find a note that Harold left saying, "J'ai une âme solitaire." Dale recognizes the french and says it means "I am a lonely soul." Then Hawk notices a ripped up diary in the middle of the floor. Dale, Harry and Hawk read the inside cover and see, "This is the Diary of Laura Palmer." Dale is pleased and spouts, "pay dirt"
"What a Wonderful World."

"New Shoes!"

"I loved her!"

"I could just kiss you to death!"


"Hank did this?"

"A friend of her father's"
In the Sheriff's station conference room, Dale talks to Diane at 2:47 pm. He tries to put together the pages of Laura's secret diary and notes several disturbing entries about Bob. Dale says he was a threatening presence since Laura's adolescence and that there are numerous references to sexual abuse. Dale also says that Laura describes Bob as a friend of her father's and that she makes a comment that one day she's going to tell the world about Ben Horne. Then Audrey interrupts and tells Dale she spoke with Ben and found out he was sleeping with Laura. Dale looks intrigued after what he just read in the diary. Audrey also says Ben owns One Eyed Jacks. Harry walks in and listens as Dale tells Audrey not to worry. Audrey leaves and after Dale recounts the Giant's third clue, "without chemicals he points." Dale remembers that Mike passed out right as Ben came into the room earlier. Then Dale tells Harry they need a warrant for Ben's arrest.
"Something is happening, isn't it Margaret?"

"Dummy, its me!"

"It is happening again!"

"What is that smell?"
At the Palmer's house, we see a record skipping in the living room. The camera pans a freshly vacuumed carpet as the fan looms over the staircase. Then we see Sarah struggling down the steps and calling for Leland. Sarah crawls into the living room and sees a white horse appear before her and then disappear again. Then Sarah passes out. The camera then cuts to Leland fixing his tie in the mirror in the hallway. In the mirror we see Bob's reflection staring back at Leland. Then a smiling Bob is transposed over Leland's face. Leland turns and looks at the staircase while putting on rubber gloves. Maddy calls from upstairs for Aunt Sarah and Uncle Leland asking what is that smell. She yells that it smells like something is burning and comes running down the steps.
When Maddy reaches the bottom she sees Sarah laying on the floor and then sees Bob/Leland glaring at her. Maddy screams and tries to run back up the stairs, but Leland goes after her and pulls her into the living room. He punches her and Maddy runs into the center of the room. Bob traps her in the living room and baits her go past him. She screams, "somebody help me!" and looks terrified as to where to run. She tries to get past him, but Bob grabs her and pushes her onto the couch. Leland begins to repeatedly punch her face until she stops screaming. Then he picks her up and starts crying for Laura as he holds Maddy and slowly dances with her. Poor Maddy is bloodied and coughing excessively. As they dance, we see Bob kiss her and growl like an animal. Then we see Leland crying for Laura. Finally Bob takes full control and Leland yells, "Leland says you're going back to Missoula, Montana!" as he slams Maddy's face into a picture of a buffalo on the wall, thus killing her. Maddy's dead body falls back on the floor and Leland slips the letter, O, under her fingernail.
"I'm so sorry!"
Back at the Roadhouse, Dale stares at the Giant as he fades away and the band returns. The elderly waiter from the Great Northern then approaches Dale, pats him on the shoulder and says, "I'm so sorry," before walking away. Margaret looks at Dale and they seem to know something is very wrong. Bobby sits at the bar looking sad as the haunting music plays. Donna bursts into tears so James goes to hold her. As the song comes to an end, Dale looks upward with an intense expression and a red curtain transposes over his face.
End of show!
This is probably my favorite episode of the series and also probably the hardest episode, thus far, for me to recap. How does one do justice to arguably one of the best episodes, if not the best episode, at least in this Twin Peaks fan's opinion, to ever air on television? I've always appreciated the horror genre, but to me there are only a few moments in the series that I would consider true horror. Maddy's death scene tops the list by far. How this aired on ABC in 1990 I'll never know, but I will never forget the first time I saw it and even all these years later, it still scares me. Everyone is different, but when I think of what I love about Twin Peaks or where I think it shines the brightest, even within the darkness, it's always episode 14.
Written by Mark Frost and directed by David Lynch, this episode clearly marks the quality that can be achieved when these two men work together. It makes the anticipation for Season 3 even more exciting. There is so much to contemplate in terms of mythology within this episode, but also there is a depiction of loss that is felt in the rawest of ways. The way Lynch creates the atmosphere in Maddy's death scene, which is frightening and sickening, and then takes you to the sad overtone at The Roadhouse, where Dale's impending doom, Bobby's humility and Donna's sorrow all combine along with the music to create a feeling of bereavement, is masterful and I believe purposeful. The viewer is supposed to feel this affliction right along with the characters.
As for some thoughts on the mythology, I think Sarah sees the white horse as a symbolic reference to death and drugs. If a literal meaning is needed, that would be my opinion. In some cultures a white horse is a reference to death and a white horse is also a slang term for drug use. In Sarah's case, she'd been drugged by Leland for years and Maddy was about to die, so I think that fits. Although that's just my opinion. I also feel like Dale's failure to stop Maddy's death is significant as to why he ends up (spoiler alert) trapped in the Black Lodge. It seems to be part of a series of missteps that lead him to his unfortunate fate.
As for the death of Maddy Ferguson, the scene of Maddy's murder is a tough one to watch. Not to seem like a sicko, but in some ways I like it. Not because she gets brutally killed, but because it's scary and I also think it offers a blunt view of the Leland/Bob connection. I hate watching her be punched and killed, but I like the fear it creates. I appreciate the effort it takes to accomplish that in television and film, especially in today's world when it sometimes seems like we've seen it all. There was careful thought put into the two scenes at the Palmer's house in this episode. When we first see them, it's morning, the light is bright, the music is soothing. We see pictures of Laura and even though Maddy is saying goodbye, Leland and Sarah are loving toward her.
The next time we see the Palmer's the atmosphere to completely different. The record is skipping, Sarah is drugged, Leland is crazed and poor Maddy is doomed. In Twin Peaks, it seems for every light moment there is an equal dark one. Twin Peaks was clearly ahead of its time and Maddy's death wasn't for shock value. It was to show the viewer exactly how awful murder really is. I also think it makes it impossible to detach Leland from Bob as a separate entity, which is important to embrace, even though it's a stark and unsettling reality. All of these amazing moments of impact are why I think this is my favorite episode of the whole series.
This is probably my favorite episode of the series and also probably the hardest episode, thus far, for me to recap. How does one do justice to arguably one of the best episodes, if not the best episode, at least in this Twin Peaks fan's opinion, to ever air on television? I've always appreciated the horror genre, but to me there are only a few moments in the series that I would consider true horror. Maddy's death scene tops the list by far. How this aired on ABC in 1990 I'll never know, but I will never forget the first time I saw it and even all these years later, it still scares me. Everyone is different, but when I think of what I love about Twin Peaks or where I think it shines the brightest, even within the darkness, it's always episode 14.
Written by Mark Frost and directed by David Lynch, this episode clearly marks the quality that can be achieved when these two men work together. It makes the anticipation for Season 3 even more exciting. There is so much to contemplate in terms of mythology within this episode, but also there is a depiction of loss that is felt in the rawest of ways. The way Lynch creates the atmosphere in Maddy's death scene, which is frightening and sickening, and then takes you to the sad overtone at The Roadhouse, where Dale's impending doom, Bobby's humility and Donna's sorrow all combine along with the music to create a feeling of bereavement, is masterful and I believe purposeful. The viewer is supposed to feel this affliction right along with the characters.
As for some thoughts on the mythology, I think Sarah sees the white horse as a symbolic reference to death and drugs. If a literal meaning is needed, that would be my opinion. In some cultures a white horse is a reference to death and a white horse is also a slang term for drug use. In Sarah's case, she'd been drugged by Leland for years and Maddy was about to die, so I think that fits. Although that's just my opinion. I also feel like Dale's failure to stop Maddy's death is significant as to why he ends up (spoiler alert) trapped in the Black Lodge. It seems to be part of a series of missteps that lead him to his unfortunate fate.
As for the death of Maddy Ferguson, the scene of Maddy's murder is a tough one to watch. Not to seem like a sicko, but in some ways I like it. Not because she gets brutally killed, but because it's scary and I also think it offers a blunt view of the Leland/Bob connection. I hate watching her be punched and killed, but I like the fear it creates. I appreciate the effort it takes to accomplish that in television and film, especially in today's world when it sometimes seems like we've seen it all. There was careful thought put into the two scenes at the Palmer's house in this episode. When we first see them, it's morning, the light is bright, the music is soothing. We see pictures of Laura and even though Maddy is saying goodbye, Leland and Sarah are loving toward her.
The next time we see the Palmer's the atmosphere to completely different. The record is skipping, Sarah is drugged, Leland is crazed and poor Maddy is doomed. In Twin Peaks, it seems for every light moment there is an equal dark one. Twin Peaks was clearly ahead of its time and Maddy's death wasn't for shock value. It was to show the viewer exactly how awful murder really is. I also think it makes it impossible to detach Leland from Bob as a separate entity, which is important to embrace, even though it's a stark and unsettling reality. All of these amazing moments of impact are why I think this is my favorite episode of the whole series.
Check out this clip from the 'Journey Through Twin Peaks' video series by Joel Bocko. I think it really summarizes the feeling one gets at the end this of episode very well.
Recap of Episode 13 < ------> Recap of Episode 15
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